歌谣与族群记忆——黎族情歌的文化人类学阐释

Ballad and Memory of Ethnic Group:A Cultural Anthropological Interpretation of the Ballad of Li Nationality

论题从文化人类学的视角对黎族情歌进行了研究,认为在黎族婚恋仪式活动中,以"隆闺"为核心形成了一个阈限空间,"夜游"、玩"隆闺"与婚后的"不落夫家"等实际上是黎族人生命历程中转变仪式的一种中间状态:阈限阶段。与仪式直接相关联的"隆闺"情歌、"槟榔"情歌和"不落夫家"情歌的歌唱,不仅推动了仪式进程,同时也是仪式过程本身的阐释。而仪式与歌唱及其相关联的故事则以诗性叙事的方式达成和强化着族群的记忆。

Ritual, as the most concrete, picturesque and visual mode of conduct in social life, especially in the group without scripts, is very important action and symbol of cultural performance. The ritual and the ballad of Li nationality, like storage, inherit the memory of the Ethnic group. This paper thinks that there is a liminal space or liminal period of the rites on an interpretation of the cultural anthropology, and the ballads of ＂Longgui＂ ,＂Binlang＂ and so on, sung in the process of the rites, achieve and emphasize the memory of the ethnic group by poetical narrative.