摘要
本文试图从解构的概念、语言的重复性、文学与哲学的关系以及文学和文学批评中的言语行为几个方面梳理德里达的文学批评实践。作为批评策略,"解构"就是通过重读、重讲和重新阐释发现某一系统内的功能失调,而功能失调的场所恰恰是这个系统或许能够获得新的生机、进行新的发明和产生新的可能性的场所。重复或被重新占用就是"踪迹"作用的方式,也是决定文学作品之"文学性"的关键因素。
This paper tries to interpret Derrida's literary criticism by exploring the concepts of deconstruction,repetition,the relation between literature and philosophy,and speech acts in literary criticism.As a critical strategy,'deconstruction' is to reread,rewrite,reinterpret and discover a dysfunction within a system,and the cite of the dysfunction is exactly the place where the system could gain its new life,make its new inventions,and produce new possibilities.So far as repetition implied in deconstruction concerned,any system of signs can not be used only once,and any discourse or event of writing could not do without repetition or reappropriation which are the ways how traces function,and which are the key factors that determine the literariness of literary works.
出处
《文艺研究》
CSSCI
北大核心
2007年第8期31-37,共7页
Literature & Art Studies