摘要
当代中国摄影和新时期以来的各种思潮和艺术现象有着紧密而又复杂的联系。本文是对这一历史的以时间为线索的梳理。从回归摄影的本体地位,到走向纪实,再到观念呈现,无不显示出当代摄影具有巨大的思考和言说空间。
The contemporary photography in China is closely and complicatedly related to different intellectual movements and artistic phenomena.This paper tries to trace the historical development of photography in its great discursive space,from the return to its ontological status to its documentation and ideological presentation.
出处
《文艺研究》
CSSCI
北大核心
2007年第8期103-112,共10页
Literature & Art Studies
