摘要
从戏曲体裁的独特性即舞台时间空间的处理方式及其虚拟表现手法两方面论述了戏曲舞台布景虚拟性的重要作用,戏曲的本质是排斥写实布景的,戏曲舞台布景的虚拟表现手法给戏曲带来了自由,解放了戏曲舞台。
The thesis elaborates on the importance of fictitiousness of stage setting of Chinese opera from the unique character of Chinese opera form the coordination of time and space of stage, and fictitious methods of stage. The essence of opera is rejecting realistic setting. The fictitious method of stage brings opera the freedom of expression and emancipating the opera stage.
出处
《喀什师范学院学报》
2007年第4期90-93,共4页
Journal of Kashgar Teachers College
关键词
戏曲
舞台布景
虚拟性
Opera
Stage setting
Fictiousness