游走在承接与拓创之间——中国画的传统精神及创作琐谈

Roaming between Inheritance and Innovation——The Traditional Spirit and Creation of Chinese Painting

学习中国画要从传统开始是一个不争的学术事实,然而,不同的学者对中国画传统的内涵却存在着截然不同的解读。正确的诠释传统是学习中国画的客观前提,传统是个宽泛而生生不息,有待完善和不断发展着的领域,而决非一成不变的巢臼。学习传统不能仅仅囿于传统的形式构件,而是要把握传统的精神内核,领悟以“创新”为特质的传统精神,创新当跟随时代,并应时代需要革新绘画材料和技法。

It is the academic fact that studing Chinese painting must start from the tradition, however, different scholars actually have entirely different understands to the traditional connotation of Chinese painting. The correct annotating tradition is the ob jective premise of studing Chinese painting; tradition is wide field which needs the consummation and development, anything hut invariable. Studing tradition cannot merely limited by the traditional form, but must grasp the traditional spiritual kernel, comprehend the traditional spirit taking ＂innovation＂ as the particularity.The innovation must follow the time, innovate the painting materials and techniqucs meeting the needs of the time.