摘要
怪诞是一种古老的艺术风格和美学形态,但在理论上缺乏明确的定义和系统的总结。沃尔夫冈.凯泽尔对绘画和文学艺术中的怪诞作了开拓性的研究和本体论探索。他基于18-20世纪的浪漫主义和现代主义怪诞艺术的分析,认为怪诞是一种异化世界形象,是与荒诞进行的游戏,是一种用笑声唤出并克服世界凶恶性质的尝试。尽管凯泽尔是系统研究怪诞风格并揭示其本质的第一人,在怪诞理论史具有开创性的地位,但他的观点也带有一定的片面性。
Grotesque do not know what the formed its theoretical the typical that grotes has been an art style otesque is. Wolfgang syst representation em. In his opinion, based on romanticis que is the image come the evil power of the of alienation of th world. and aesthetic form for a long time. In many years, the people Kaiser has interpreted the grotesque style systematically and the research of the grotesque style should be handled from m and modernism from the 18th to 20th century. He thinks e world, and that it plays with the absurd and tries to overcome the evil power of the world.
出处
《湛江师范学院学报》
2007年第4期42-47,共6页
Journal of Zhanjiang Normal College