摘要
本文通过辨析解构主义的关键词,表明德里达与德曼是从索绪尔那里借来“差别”,从皮尔士那里借来“无止境的符号过程”,将两者加以糅合,才形成“延异”和“寓言”这两个重要概念的。在借鉴的过程中,既有偏差,又有误用,恰恰是这些偏差与误用演变成了解构主义最激进的一面,同时也为它自己埋下了症结的根源。
Through an analysis of the key words of Deconstruction,the paper attempts to clarify that Derrida and Paul de Man build up their kernel concepts('différance' and 'allegory') on the basis of Saussure's 'difference' and Pierce's 'unlimited semiosis'.However,in the process of this borrowing,there have been many deviations and misuses.It is these deviations and misuses that turn into the most radical elements of Deconstruction,and bury in it hidden problems and troubles.
出处
《外国文学》
CSSCI
北大核心
2007年第4期77-86,共10页
Foreign Literature
