摘要
宫崎峻在二战前后的童年生活记忆是他创造的动画世界的主要布景和描述的隐秘视角,他一直在试图剥离童年刻印的现实世界和美好想象中的理想王国,这种努力在他的故事中是交织和冲突的两条线索。他的理想世界是人神通灵的幻境。其灵异魔力更多来源于人的内心,孩子的清澈眼睛和执著愿望可以幻化灵异的神力,宫崎峻可以说是一个游走于现实与灵异世界的隐者。
The childhood life memory of Miyazaki around World War Ⅱ is the secret angle of view which the main background and the description of the animation world that he creates. He continuously in attempts the real world which strips the childhood to engrave and yearm for in the happy imagination the ideal kingdom. This kind of diligence in his story is two clues which are the conflict and the intertwined. His ideal world is fairyland that the human can communicate with the god. Its strange charm originates much from human' s innermost feelings. The limpid eyes and the rigid desire of the children can transform the strange supematural power. Miyazaki may say is a recluse who walks randomly in realistic and the spiritual world.
出处
《成都大学学报(教育科学版)》
2007年第8期148-149,共2页
Journal of Chendu University:Educational Sciences Edition
关键词
宫崎峻
动画
现实
童年:灵异
Miyazaki
animation
reality
childhood
strange