摘要
"中体西用"文化观的形成与文化本身的结构相关,也是近代中国历史演进的必然结果;它给我们一个简单明了的文化理论框架,并成为民国时期各文化派别的共同特征之一,是古代中国文化发展到完全现代化的中国文化之间的过渡形态。
The formation of the concept of "Chinese essence and Western means" is closely connected with the structure of culture, which is an inevitable result of the evolution of modem Chinese historty. It gives us a simple and clear theoretical framwork of our modem culture and it became one of the common features of all cultural schools during the Republic of China. It is the transitional pattern of the development from ancient Chinese culture to the fully modemizational Chinese culture.
出处
《平顶山学院学报》
2007年第4期34-37,41,共5页
Journal of Pingdingshan University
关键词
中体西用
结构
文化观
Chinese essence and Western means
structure
concept of culture