摘要
中国艺术考古学理论体系虽然已经初步构建起来,但对该学科的深入思考却似乎刚刚开始。中国艺术考古学作为一门在艺术学科和考古学科之间成长起来的交叉学科,由于其研究对象和研究目的主要倾向于考古学,故其学科基点应该定位于考古学;"美术考古学"与"艺术考古学"这一对学科概念是不同历史发展阶段的命名,艺术考古学是建立在艺术学科发展、美术考古学研究取得较大成果的基础之上的;艺术考古学的发展前景则寄托于艺术院校和科研院所从事艺术发展史研究的专家学者对艺术考古学理论建设的关注和高等院校对艺术考古学人才的培养。中国艺术考古学理论研究的前景辉煌。
Compared with the establishment of the theoretical system of Chinese artistic archaeology, the reflections on this discipline are in the beginning stage. As the research object and aim are more related to archaeology, the focus of this discipline should be on archaeology. On the other hand, artistic archaeology is established on the basis of the development of artistic disciplines and the achievements of painting archaeology, the prospect of artistic archaeology depends on the concern of scholars and experts at art colleges and institutes and also depends on the training of artistic archaeological talents.
出处
《东南大学学报(哲学社会科学版)》
CSSCI
2007年第4期99-103,共5页
Journal of Southeast University(Philosophy and Social Science)