摘要
克莱斯特的《论木偶戏》是一篇有趣的美学论文,其中提出的艺术的"重心"思想对于理解艺术之为艺术启示了一条独特的门径。这种思想不仅超越了当时理性主义和古典主义的美学和艺术实践,而且跟从19世纪末开始的现代派艺术运动相当吻合,不仅如此,也跟中国古典美学和艺术息息相通。
'On Puppet Show' is a very interesting thesis written by H. Kleist. In this thesis the thought about artistic center of gravity provided a possibility for understanding arts. This thought not only surpassed the rationalism and classicalism of arts and aesthetics but also accorded with Chinese classical arts and aesthetics.
出处
《东南大学学报(哲学社会科学版)》
CSSCI
2007年第4期119-122,共4页
Journal of Southeast University(Philosophy and Social Science)