试析中国传统文人画的审美倾向

Analysis of the aesthetic tendency of traditional Chinese paintings of scholars

作为中国艺术史上独有的一种文化现象,传统文人画是中国绘画研究中的一个重要课题,中国传统文化所蕴含的天人合一、知行合一和情景合一的人文理想,文人士大夫以天下为己任的忧患意识,构成了文人画独特的文化符号识别,具有明显的语言形态所包含的文化价值。从这一符号所蕴涵的文化线索中可以窥见文人画产生的缘由、规律及其艺术思想,从而得以解析传统"文人画"艺术风格及其审美倾向。

As a unique cultural phenomenon in Chinese art history, traditional Chinese paintings of scholars is a major subject in the study of Chinese painting. Traditional Chinese culture contains the humanistic ideal of the unity of heaven and human being, the unity of knowledge and action and the unity of feelings and scenes. It contains a sense of worriedness of scholars who took the world as their duty. The humanistic ideal and the sense of worriedness form the unique cultural symbol in paintings of scholars and have obvious cultural value embodied by language form. From the hints of the cultural symbol, we can see the reasons for the emergence, the law and the artistic thought of paintings of scholars. Consequently, we can explain and analyze the art style and the aesthetic tendency of paintings of scholars.