对清代碑兴帖衰的溯源究因

The Reason of the Thrive of Inscription Calligraphy in the Qing Dynasty

清代尤其在中后期,新生了碑学书法,主要崇尚北方汉魏风格由此得名北碑,与传统南帖相对。其中,南北之分最早提出于宋代,而碑学思想成熟则是清代中晚期。在理论日渐成熟的同时,碑学书法的实践,为清代书坛注入一股清新活力,书家对金器碑碣的研习,使各种书体都有了脱胎换骨的改变。究其出现的原因,依照惯习多分析金石学、考据学的影响,这固然不错。可在本文中,笔者试图从当时社会风气和审美倾向角度分析,以期拓展人们视野,更好的认识清代碑学的意义。

in the middle and later periods of the Qing Dynasty, inscription calligraphy came into being. It advocates north style of Han and Wei, so entitled north inscription, opposing to traditional south copybook study. First proposition of this division is in Song Dynasty, but the ideology of the study of inscription finally had formed is untill the middle and later periods of the Qing Dynasty. At the same time）, the practice of inscription calligraphy, poured the vigor into Qing Dynasty calligraphy world, The calligrapher researched and practiced the letterform on the bronze ware and the tablet, that generated great changes in all kinds of calligraphy styles, Of course the development of Epigraphy and Textual criticism study Had an effect. But in this paper, the author attempts to analyze the reason from the social convention and esthetic tendency,in order to widen people＇s field of vision and understand the significance of the Qing Dynasty inscription calligraphy.