摘要
二十世纪初,西方社会意识、传统价值观念发生改变,作为主体世界的人及其体验世界的方式也从传统中逆转,创作者既敏锐痛苦地感受世界的变化,又在创作中主动以新的表现手法去反映对象世界——意识流就是主体转向的客观必然,它是主观世界与客观世界相结合的一种反传统的创作手法,是适应主体社会多元冲突的一种创新的表现方式。
Beginning of twenty centuries, west society mental consciousness, tradition values happen change, become worse in the people who is the main body world and their tradition experiencing that the world way is also secondary, the author changes now that the acute pained field experiences the world, objective go and reflect marriage partner world stream of consciousness it is the main body to get lost in on self's own initiative creating middle is inevitable, that it is the subjective world and the objective world looks at and appraises one kind of the creation gimmick opposing tradition being tied in wedlock, is one kind of innovative behaviour way of the conflict adapting to main body society multielement.
出处
《攀枝花学院学报》
2007年第4期38-42,共5页
Journal of Panzhihua University
关键词
意识流
主体
客体
世界
stream of consciousness main body object world