当代诗歌集体化写作阶段的读者和民歌形式问题

On the Reader and Folk-song State of the Contemporary Poetry at the Stage of Collective-based Writing

在1949年至1976年的当代诗歌集体化写作阶段,颂歌建构起了自身独特的传播消费方式和文本形式。工农兵群众作为意识形态的中介,介入并主导着诗歌的生产、传播、阅读和批评等各个话语实践环节,内在地规约了民歌形式的制度化进程。工农兵诗歌及其民歌形式的试验,在一定程度上体现了当代中国创新现代文化体制和追求现代文化的民族化发展道路这两个向度的战略考量,同时也为当前诗歌重建中的"新诗二次革命论"提供了足资借鉴的经验教训。

At the stage of collective- based writing of the contemporary poetry from 1949 to 1976, the eulogies had built up a specially circulating way and textual form. As the intermediary of ideology, ＂Workers, Peasants and Soldiers＂ had intervened and predominated every step of poetic discourse practice such as production, dissemination, reading and criticism, etc izing of the folk - song. The poetry of the ＂Workers, Moreover, they had ruled the course of the systemPeasantsand Soldiers＂ and its experimentation on folk - song form had to some degree incarnated the two strategies by which contemporary China tried to modernize the cultural system and pursued the ethical development of modern culture, meanwhile, they had provided some valuable lessons for the theory of the Second Revolution of Modern Poetry in the current reconstruction of poetry.