摘要
本文力图揭示介入早期中国古代长篇小说创作的作家的心理机制。这些作家具有鲜明的"子史"人格,作为小说创作主体的人格反而缺失,导致了当时小说家的缺位。在书商、市场和读者的影响下作家的精神在特定时空中暂时的"下野",以及因惊"奇"而出现的眩惑,都一定程度改变了自己的现实人格,逐渐与文体要求达成一致。在创作过程中,面对的特定题材,使作家的自觉意志再次改变,最终完成小说家人格的嬗变。早期中国古代长篇小说的创作,是作家的一场眩惑中的七采梦。这些小说中最有意义的部分,往往也因作家的眩惑而生成。
This paper tries to reveal the psychological mechanism of novel writers in ancient China. Those novel writers had distinctive "Pre-Qin thinkers" personality without the subject of the novel creation so as to cause the vacancy of novel writers at that time. Influenced by bookman, market and reader, writer' s spirit "retired" temporarily in the specific time and space, and daze appeared, all of which to some extent made the writers change their own real personality to be consistent with the literary style request. In creation process, the specific theme caused writers' consciousness change once again so as to finally complete the evolution of the writer's fiction personality. In the early China ancient times, the novel creation was the writers' colorful dream in the daze. In those novels, the most significant the part was often produced by the writers' daze.
出处
《四川理工学院学报(社会科学版)》
2007年第4期83-87,共5页
Journal of Sichuan University of Science & Engineering(Social Sciences Edition)
关键词
《三国演义》
《水浒传》
《西游记》
长篇小说
Romance of the Three Kingdoms
The Water Margin
The Journey to the West
long novel