摘要
俞平伯三十年代散文体现"涩味,"大部分的评论家只是从意境、梦境、或是"涩味"等角度去探讨俞平伯散文的特色。本文试图从俞平伯三十年代散文文体和语体这个独特视角来阐释他三十年代散文体现出来的独特"涩味,"探讨他对于传统的"新传统化"过程及他在文学现代性语境中的位置。
Essays written by Yu Pingbo in the 1930s were characterized with a touch of "obscurity". Most critics approached his essays from such angles as artistic conception, dreamland or "obscurity". This paper, based on research achievements from other previous researchers, attempts to expound his unique "obscurity" expressed in his essays written in the 1930s from the perspective of style unique to Yu Pingbo in the 1930s and probes into his role in the process of traditional "New traditionalization" and his position in modem context of literature.
出处
《龙岩学院学报》
2007年第4期81-83,90,共4页
Journal of Longyan University
关键词
俞平伯
语体
句式
连珠体
语录体
Yu Pingbo
style
sentence pattern
chain style
style of quotations