朴趾源《热河日记》的实学精神和文艺观探析

The Spirit of Real Learning and Viewpoints of Art in Pak Chi-wǒn's Jehol Diary

朴趾源的《热河日记》不仅传承古人积极的艺术精神,而且更着眼于朝鲜的落后现实,在自己的文字中寄托了“耕木陶冶”之旨和干预现实的艺术锋芒。它所提出的绘画、书法、音乐等艺术内在规律中的有关“图不尽意”、“笔意精神”、“乐以时运而变”以及艺术个性的理论,则充满了哲学和艺术的批判精神。

Pak Chi-wǒnn＇s Jehol Diary not only carry forward the active spirit of art possessed by the ancestors,but also put more emphasis on the backward reality. The contents of the diary show his willing of “living on farming and pottery making” in order to change the reality. The diary, which is full of philosophical and critical thoughts, includes theories about painting, handwriting and music such as “painting can never express fully the real things”; “handwriting should represent one＇s spirit”; “musical style should change with time” as well as one＇s personality presented in art.