摘要
进入现代化语境的内蒙古文艺批评获得了开放的视野和多元的思想维度,不断从世界性文化资源中汲取研究文艺民族性的理论要素,使文艺批评形态焕发出全新面貌,推动着内蒙古文学艺术在走向现代化的进程中产生崭新的美学魅力。新时期内蒙古文艺批评最鲜明的标志,就是对文艺民族性坚持不懈的追求。全球化经济文化背景下少数民族文化生态包括审美和艺术生态的变化,引起了批评者的格外关注。
Inner Mongolian art criticism in the modernization context, with its open vision and pluralistic thoughts, absorbs theoretic essence from the international resources, which makes the pattern of art criticism assume an entirely new look, and further promotes it to show aesthetic charms and the way to modernization. The distinct symbol of new period Inner Mongolian art criticism is the persistent pursuit of the nationality of art criticism. The change of minorities culture ecology,including that of the aesthetic and artistic ecology,attract critics gpecial attention.
出处
《内蒙古大学学报(哲学社会科学版)》
CSSCI
北大核心
2007年第4期111-116,共6页
Journal of Inner Mongolia University(Philosophy and Social Sciences)
基金
内蒙古自治区社科规划项目(项目批准号:0550)
关键词
新时期
内蒙古
文艺批评
现代化
民族性
new period
Inner Mongolia
literary and artcriticism
modernization
nationality