摘要
近年来,"荷赛"灾难类获奖作品在形式上呈现出与传统不同的"唯美化"倾向。在保证新闻摄影客观、真实的前提下,"荷赛"更青睐那些把灾难的震撼性与摄影语言的艺术性完美结合起来的优秀新闻照片。这一变化与西方传统的"悲剧"美学观念具有内在的一致性。
In recent yeats, the WPP disaster news picture awards present an aesthetic tendency in the form different from the tradition's. Under the premise of objectivity and truth of news photography, WPP favors the outstanding disaster news pictures which combined shocks and aestheticism perfectly in the photographic language. This change has the intrinsic uniformity with the western tragedy esthetics idea.
出处
《新闻界》
CSSCI
北大核心
2007年第4期42-43,共2页
Journalism and Mass Communication