李渔“无声戏”小说观评析

A Commentary Analysis of Liyu's Voiceless-novel Writing Style

李渔是一个兼擅戏曲和小说创作的作家。把小说当作"无声戏"来看,当成"传奇剧"来写,这是李渔对自己小说观的理论概括,体现了他对中国古典小说与戏曲之间内在联系的深刻认识,李渔的小说创作体现出明显的戏剧化倾向——与戏曲相同的审美倾向,表现戏剧性的情节因素,渗透戏曲表演艺术的技巧等等,这使李渔小说在独创一格、独树一帜的同时,也造成了人物形象的类型化、脸谱化等不足。

Influenced by the style of drama, Liyu has set a fixed valuation of his novels which are generally considered to be ＂voiclsess plays＂. His novels show an obvious dramatic trend： they have the same trend of a beauty evaluation as dramas and plays , sharing the characteristics of the dramatic plot contexts, contianing some skills of the dramatic performances, which has made LIyu＇ s novels quite different form others＇, yet has brought about some weaknesses as well, such as the similar personalities and countenance of characters.