“真”解——明清小说评点范畴例释

Explain"Ture"—The Example to Explain of the Category of Prepare Commentaries and Punctuation for Novels of Ming and Qing Dynasty

在中国古典美学中,"真"最早是作为一个画论范畴由五代画家荆浩提出来的,他认为绘画艺术的终极目标就在于"图真",即表现自然山水的本体和生命。明清小说评点家们借用"真"这一范畴来评点小说。他们用"真"来要求小说情节合乎生活情理;用"真"来要求小说人物典型鲜活;用"真"来要求小说细节缜密合乎逻辑,从而使"真"这一范畴演变成一个小说艺术的审美范畴。

In Chinese classical aesthetics, as a category of painting theory, ＂ture＂ was put forward by JingHao of Five Dynasty in the earliest. He required that the final goal of painting art must arrive at ＂the painting ture＂, that is to express the main part of the projects and the lives of the natural mountains and rivers. The artists of prepare commentaries and punctuation for novels of Ming and Qing Dynasty borrowed the category of＂ture＂to prepare commentaries and punctuation for novels of Ming and Qing Dynasty. They required the plots of novels must conform with the reasons of live, and demanded the characters of novels must to be typical and fresh, and asked the details of novels must conform with logic by using ＂ture＂. So as to the category of ＂ture＂has changed a appreciation of the beautiful category of the art of novels.