论《齐风·鸡鸣》从理性到情致的审美取向

On the Aesthetic Orientation of Qi Feng·Ji Ming——From the Reason to the Delight

《齐风.鸡鸣》的阐释观自汉迄今大致经历三种类型:"诗人介入式"、"半联句体"、"问答联句体"。这三种不同的阐释观大致向我们描述了《鸡鸣》阐释史从理性到情致的审美取向。不同时代的社会背景和阐释理论是审美取向不同的根本原因。但是这三种阐释观有着内在和一贯的发展理路。它们不仅在其所属的时代里有其存在的意义,而且在当下也是人们复杂的审美需求的精神资源。

There have been three kinds of interpretation of Qi Feng .Ji Min since the Han Dynasty： poet interference, se mi-combined sentences and question-answer combined sentences. These three different interpretations describe roughly to us the aesthetic orientation of the interpretative history of Ji Ming from the reason to the delight. Different social background and interpretation theories lead to different aesthetic orientations. However, there is an inherent and consistent developing clue in these three interpretations. They are not only significant in their times, but also the spiritual resources of the aesthetic requirements of the people at present.