“和弦论”:回归电影本体,重构电影美学——钟惦棐美学思想疏证

The Notion of Symphony:an Investigation of Zhong Dianfei's Aesthetic Thought

在中国影坛,钟惦棐是一位成就卓著的文艺评论家、电影美学理论家。他的《电影的锣鼓》重在一个"破"字;而他在20世纪70年代末提出的"和弦论",通篇强调的则是一个"立"字。他的"和弦论"为中国电影美学的重构奠定了坚实的理论基石。尽管岁月流转,他的"和弦论"到今天依然具有活泼、新鲜的思想力量,对当代中国电影创作及其产业化的推进,无疑依然具有很深刻的理论启迪意义。

Zhong Dianfei, a marvelous aesthetic theorist about artistic critic and cinema, is memorized today as his critical articles, especially his well-known Drum of Motion Picture. Since 1970s, Mr. Zhong has adopted the notion of symphony, which becomes the millstone in construction of Chinese film aesthetics.