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爱伦·坡哥特小说源流及其审美契合 被引量：30

Poe's Gothic Stories and Its Aesthetic Implications
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摘要 美国著名作家爱伦.坡因其在诗歌、小说及文学评论上取得的非凡成就在世界文坛产生了深远影响,但其别开生面的创作模式并非空穴来风,其哥特小说与早期英国小说明显的承继关系就很好地说明了这一点,而其哥特小说在美国哥特小说的发展中起到了承前启后的作用,成为后人竞相效仿的模本,这主要是因其唯美主义的创作倾向及其超前的创作理念在心灵深处与读者的审美契合。 The early American Iitterateur Edgar Allan Poe developed a school of his own in literati for his unique and significant achievement in short stories, poetry and literary criticism. Poe＇s recognition of the readers＇ responses makes his horror and grotesque stories the tinge of aestheticism. At the same time, his stories have starting significance in light of the gothic fictions＇ innovation in the New Continent and promote its taste of aesthetic implication.
作者 朱振武 王子红
机构地区 上海大学外国语学院 解放军汽车管理学院
出处 《上海大学学报（社会科学版）》 CSSCI 北大核心 2007年第5期92-96,共5页 Journal of Shanghai University(Social Sciences Edition)
关键词 艾德加·爱伦·坡 哥特小说 传承 创新 接受美学 Edgar Allan Poe gothic fiction succession innovation receptive aesthetics
分类号 I106.4 [文学—世界文学]
  • 相关文献

参考文献15

  • 1Ellis Markman. The History of Gothic Fiction[M]. Edinburgh: Edinburgh University Press, 2000:22.
  • 2Scott Kilvert Ian. British Writers.. Volume III, Daniel Defoe to the Gothic Novel[M]. New York.. Charles Scribner's Sons, 1980:324.
  • 3Varma Devendra P. The Gothic Flame: Being a History of the Gothic Novel in England[M]. London: Arthur Barker Ltd, 1957:18.
  • 4Edgar Allan Poe. Edgar Allan Poe: Poetry and Tales[M]~. New York.. Library of America, 1984.
  • 5Edgar Allan Poe. The Philosophy of Composition[A]. Barbara Perkins. The American Tradition in Literature[C]. Boston, Mass: McGraw Hill Companies, 1999..1314.
  • 6李伟防．黑色经典：英国哥特小说论[M]．北京：中国社会科学出版社，2005：130．
  • 7Wilbur Richard. Conversations with Richard Wilbur[M]. Jackson:University Press of Mississippi, 1990:151.
  • 8金元浦.接受反应文论[M].济南:山东教育出版社,2002.122.
  • 9朱光潜.西方美学史[M].北京:人民文学出版社,2003..
  • 10肖明翰.英美文学中的哥特传统[J].外国文学评论,2001(2):90-101. 被引量：288

二级参考文献11

  • 1《创世纪》3．5.
  • 2Marie Mulvey-Roberts, ed., The Handbook to Gothic Literature, New York: New York University Press, 1998, p. 65, p. 83, p. 9. p. 9.
  • 3Richard Hurd, Letters on Chivalry and Romance, University of California Press, 1963, p. 61.
  • 4David Punter, The Literature of Terror, London: Longman, 1980, p. 6.
  • 5H. P. Lovecraft, "Supernatural Horror in Liturature," in Cliv Bloom ed., Gothic Horror, New York: St Martin's Press, 1998, p. 55.
  • 6Long/nus, On Sublimity, trans. D. A. Russell, Oxford:Clarendon Press , 1965, p. 12.
  • 7弥尔顿.《失乐园》第10章，第743—745行.天津人民出版社，1996年.
  • 8Harold Bloom, "Introduction," in Bloom, ed., Mary Shelly's Frankenstein, Broomall, PA: Chelsea House Publishers, 1996, p. 5.
  • 9John Bayley, " Oliver Twist : ' Things as They Really Are, '" in Dickens and Twentieth Century, eds. John Gross and Gabriel Parson, London: 1962, p. 64.
  • 10Jonathan Edwards, "Sinners in the Hands of an Angry God," in Nina Baym et al., ed., The Norton Anthology of American Literature, 2th ed., New York: Norton &Company, 1985, p. 345.

共引文献342

同被引文献162

引证文献30

二级引证文献48

上海大学学报（社会科学版）
2007年 第5期

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