论抗战时期延安木刻版画的民族特色

Theory on National Feature of Yan'an Woodcut During the Period of the Anti-Japanese War

抗战时期延安木刻版画创作在现代中国绘画史上独树一帜。这批在当时特殊的历史环境和政治环境中成长起来的延安木刻家及其作品,除了具有强烈的革命性和战斗性外,在艺术上也取得了令人瞩目的成就。这主要表现在延安木刻版画艺术在民族特色方面的执著追求。延安木刻家们将西方木刻"拿来"时,"择取中国的遗产,融合新机"(鲁迅语),走出一条别开生面的木刻版画创作新路。抗战时期的延安木刻版画对新中国美术产生过深远而复杂的影响,确有深入研究和重新认识的必要。

The Yan＇ an woodcut created one＇ s own colors in the contemporary Chinese painting history during the Anti - Japanese War period. The Yan＇ an woodcut artists, growing up with the special history and political environment, not only had intensely revolutionary and combat character but also acquired accomplishment drawing our eyes upon the arts. The accomplishment embodies the Yan＇ an woodcut artist pursuing nationality feature. The Yan＇ an woodcut artists ＂took ＂ the western woodcut art,＂ Choose Chinese inheritance , Mix the fresh life together＂（ Lu Xun）, making a new way of the woodcut creation. In this period. Yan＇ an woodcut has produced far - reaching and complex effects on the new Chinese art. The spirit and distinctive nationality feature of that time showed by the Yan＇ an woodcut works has energetic sense to the development of the current Chinese artists and the art undertaking.