摘要
我国古代文论关于艺术摹仿自然的论述并不多见,依照西方文论的"摹仿"说来套用古代文论资料,找不到多少与之对应的说法,因而难以显现出完整的艺术摹仿说。其实,古人的艺术摹仿观念并不限于妙肖自然,也不止于直观外部世界,而是注重以主体心意投射客观外物,在艺术仿象中传输主观情感,其摹仿性的艺术形态带有明显的拟情性特征。
Art imitating nature is not a major concern in the ancient Chinese literary criticism.In studying ancient Chinese literary criticism according to the imitation view of the Western Literary theory People found few corresponding views,which is difficult to present a perfect view of art imitation.In fact,the imitation view of the ancient Chinese neither limited to imitating nature nor stopped intuiting external world,it expressed the feature of feeling expression by projecting the subject's emotions to the external things and transmitting them to the art imitation forms.
出处
《辽宁师范大学学报(社会科学版)》
2007年第5期90-93,共4页
Journal of Liaoning Normal University(Social Science Edition)
关键词
摹仿
拟情
表现
再现
imitation
feeling expression
express
reproduction