摘要
宋代女性文学审美空间狭小、幽深而封闭,文学创作意象大多集中在闺房之内,呈现出以闺房为轴心向外辐射的空间结构模式。这既反映了审美主体特定空间内管中窥豹的审美特征,又再现了她们内心深处对幽闭空间交织的爱恋与厌弃的矛盾情绪。幽闭空间给宋代女作家认识外部世界带来局限,然而她们通过闺阁门窗这只特殊的心灵"眼睛",观察和认识着她们生存的世界,感受着女性独有的痛苦的审美体验。
It is not only narrow and small but also solitary of the aesthetic space in Women literature in the Song Dynasty.The literature images mostly concentrate on girl's rooms,presenting a model of space structure based on those rooms and radiating to outsides,which express the writer's narrow esthetic feature and their contradictory feelings including love and detestation and rejection to the solitary space in their hearts.Solitary space brings the women writers many limitations in knowing the outside world.However,the girls can watch and know their living world and feel their unique aesthetic experience of mental sufferings in feudal society by their rooms—their heart "eyes".
出处
《辽宁师范大学学报(社会科学版)》
2007年第5期97-99,共3页
Journal of Liaoning Normal University(Social Science Edition)
关键词
宋代
女性文学
审美空间
幽闭
the Song Dynasty
women literature
aesthetic space
solitary