摘要
如果以1979年的“星星美展”作为中国实验性当代艺术的起点的话．它已经走过了近三十年的历程随着它的发展．对它的历史经验的研究和总结也不断展开早期的写作较多地采取了宏观的角度．集中于对各种潮流、群体以及风格派别的总结和评论。因此如“八五艺术新潮”、”新生代”、“政治波普”等集合性概念就常常提供了历史叙事和分析的单元。
Shen Shaomin＇s “The Boundary between Universe and Human”exhibition consists of four relatively independent works and exhibitions, held in four places in Beijing： “Tian An Men”in Today Museum, “Crane” in Contemporary Tang Ren Art Center, “Gardening” in Si He Yuan Gaflery and “Destroy-X”. Exhibition catalogue is an composition of curative plan, in order to introduce the producing background and thinking course of the four works systematically, and in the meantime, put them in a wider background, i.e. the course of the artist＇s development.
出处
《艺术当代》
2007年第5期48-53,共6页
Art China
