论中国画的主体、客体、本体及其关系

A Study on the Relationship among Main body,Object,and Ontology of Traditional Chinese Paintings

对中国画主体、客体和本体的地位升降及三者对于中国画意义的分析可知,主体、客体和本体是中国画三个组成部分,它们相依相存,舍此无彼。在创作中可以也必须有所侧重,但却绝不可偏废。创作如此,鉴赏亦然。

By analyzing position order among main body, object and ontology about traditional Chinese paintings, and their effection on it, we can know that traditional Chinese paintings consists of three parts which are main body, object and ontology. They are connective each other. In the process of composition, some can be emphasized, but nothing can be ignored. Just like composition, so is appreciation.