摘要
以《品花宝鉴》《花月痕》《青楼梦》为代表作的前期狭邪小说通过将狭邪"审美"化,在文本中执意构建了一个虚幻的"情爱乌托邦",而这背后实际隐藏着巨大的历史文化症候,即创作者追怀往昔的"保守主义"乌托邦心态和力图通过文化的继承救赎自身的主体省思。
A Mirror of Theatrical Life,Flower and the Moon,Dream of Green Pavilions, as the representative works of the Earlier period backstreet fiction, are bent on building a virtual "Love Utopia" in the text. But there is a huge historical and cultural symptom behind it, that the author's "conservatism" utopian mentality and the introspective of cuhural redemption.
出处
《佳木斯大学社会科学学报》
2007年第4期69-71,共3页
Journal of Social Science of Jiamusi University
关键词
前期狭邪小说
乌托邦
救赎
pre - backstreet fiction
Utopia
redeems