论贝里奥小提琴协奏曲中的运弓要求

Demands of Wielding Bow in Bellio's Violin Comcerto

运弓部位的恰当安排,不仅能准确体现出作品的音乐要求,同时也能带来视觉上的满足,而对每个学生来说,更是拓宽演奏技法,提高演奏素养的重要内容。在贝里奥的小提琴协奏曲的教学中,对右手运弓的技法有着特殊而又细致的要求,运弓部位的安排须根据作品的音乐表现和旋律的走向而确定。在我们所见到的许多业余学生的演奏中,通常对运弓部位的区分没有严格的要求,有的是不分音符的时值,千篇一律拉锯式的进行。运弓不分长短,强弱没有区别,还有的是由于对作品的情绪和旋律的走向不清楚,而把运弓的部位安排错了,该用上半弓的却用了下半弓,该用弓根的却用了中弓或弓尖,运弓部位的不明确使音乐的表现明显地受到了影响。

A pmpcr arrangemen of the wielding baw body can not anly exactly embody the musical demand of the warks,but bring satisfaction to a man in his sight as well. Besides,to students,it is the important contents of widening playing skills and improving playing accomplishment.In the teaching of Bellio＇s violin eoneento,there is a special but careful demand,which is that the arrangement of wieliding bow should be decided by the music expression and the direction of melody, Ifone is not dear about the wielding bow body, his music expression will obviously affeeeted.