“乾旦”传统、性别意识与台湾新编京剧

The Tradition of "Qiandan" and the Female Consciousness in Taiwan’s New Peking Opera

台湾京剧创新之路至今已走过二十多年,从早期"剧本叙事结构、剧场设计、乐队"的创新开始,到最近五六年,新编剧作的新意明显地集中在"古代女性形象的重新探索与塑造"上。本文欲以国光剧团的《王有道休妻》、《三个人儿两盏灯》、《金锁记》、《青冢前的对话》等四部新编戏为讨论核心,对台湾京剧工作团队如何以女性为中心在古典传统与现代精神之间的辩证关系作细致论析。

For more than 20 years, Taiwan’s New Peking Opera has gone from the early yeas’ renovation of 'the narrative structure, stage design and music' to the past 5 or 6 years focusing on the 'new exploration and characterization of the ancient female images'. This paper tries to discuss four new Peking Operas by Guo Guang troupe, The Divorce of Wang Youdao, Three Persons and Two Lamps, The Story of Golden Lock and A Dialogue in front of the Green Grave, analyzing in detail the dialectical relation the ancient tradition centered on females and modern spirit.