供养人画像与唐宋敦煌世俗佛教

The Portrait of Donors and Vulgarization of Buddhism of Dunhuang During The Period of The Tang Dynasty and The Song Dynasty

本文运用"图像证史"的理论与方法,在前人对敦煌世俗佛教研究的基础上,通过对唐宋时期敦煌供养人画像详细的分析研究,以供养人画像为中心,就其反映和记录的敦煌世俗佛教,从多个角度阐释了供养人画像与唐宋敦煌世俗佛教的密切关系。

This article attempts to trying out the theory and practice of A History Proved True by Existing Works of Art.Based on the achievement of the study of vulgarization of Buddhism of Dunhuang by former scholars,this article made a analysis in detail to the portrait of donors of the Dunhuang Mural dating from a period of the Tang dynasty and the Song dynasty and centralizing on those collective portrait of donors of Dunhuang,showing the fact that they have reflected and recorded Dunhuang secular society and reflected the true station of public belief at the past times in Dunhuang area,and furthermore,to consider and review those portrait of donors' closer relationship with the local vulgarization of Buddhist society in all its aspects.