摘要
桐城派除了有文派外还有诗派,其诗学理论和实践在清代独树一帜。姚鼐的著作提出了多个有价值美学论点,并形成了自己的美学体系。他将古文理论直接用来建立诗学理论,将古文法与诗学合而为一,以文论诗也就成了桐城派诗学的重要特点。
Besides the school of non -poetry , the Tongcheng School has another branch -the school of poetry. It's poetical theories and practice were distinctively developed in the Qing Dynasty, the fact of which achieved universal agreement among scholars. And this was particularly represented by Yao Nai's work. He advanced quite a few aesthetic theories of great value, and evolved an aesthetic system of his own. He set up poetical theories directly out of that of classical Chinese, thus combined poetry with palaeography. And consequently the poetical characteristics as " polished but politicized" ," poetry in prose style" were formed in the theories of the Tongcheng School of poetry.
出处
《张家口职业技术学院学报》
2007年第3期57-59,共3页
Journal of Zhangjiakou Vocational and Technical College
关键词
桐城诗派
古文法
诗
诗学
the Tongcheng School of poetry
polished but politicized
poetry in prose style