摘要
吴昌硕"画气不画形"的绘画美学思想虽然突破了明清复古派文人画柔媚的审美趣味,但同时剥落和舍弃了文人画"韵"、"逸"等审美品格,将文人画的审美取向导向显露和霸悍。
Though Wu Changsguo's Aesthetic thought of "draw Qi not draw shape" breaks through the puny Aesthetic interest of Ming and Qing Dynasty old - fashioned literators'painting, at the same time, losing "Yun" and "Yi" of the Aesthetic quality of literators "painting, so it will lead literators" painting to evident and tough Aesthetic tendency.
出处
《张家口职业技术学院学报》
2007年第3期60-62,共3页
Journal of Zhangjiakou Vocational and Technical College
关键词
吴昌硕
气
文人画
Wu Changs -huo
draw Qi not draw shape
Yun
Yi