摘要
如果我们以王力古韵分部"脂——质——真"和"微——物——文"六部为基础来考察古音学史的演进,就会看到,清代戴震是3∶6,王念孙是4∶6,江有诰是3∶6,晚近章炳麟是5∶6,黄侃是5∶6,曾运乾是6∶6。王力的6∶6是有优点的,最大的优点是以古音构拟深化了脂、微分部。
If we adopt Wang Li's six parts of the remote ancient rhymes '脂——质——真'and '微——物——文'as a standard to study the history of the ancient phonology,we will find that Dai Zhen indicates them as 3∶6,Wang Niansun as 4∶6 and JiangYougao as 3∶6 in the Qing Dynasty,and Zhang Binglin as 5∶6,Huang Kan as 5∶6 and Zeng Yunqian as 6∶6 in the modern times.Wang Li's 6∶6 has it's advantages of which the most important point is differentiating the remote ancient rhymes '脂'and '微'by building and drafting the speech sound of the remote ancient times.
出处
《东南大学学报(哲学社会科学版)》
CSSCI
2007年第5期73-77,共5页
Journal of Southeast University(Philosophy and Social Science)
基金
国家"985工程"二期"汉语言文学和民族认同创新基地"项目