摘要
本文所讨论的范围是1948年以前,即早期的客观民族主义时期希那斯特拉所创作的钢琴作品。通过探究这一时期阿根廷民族音乐对希那斯特拉音乐创作的影响和他在创作中对现代作曲技法的使用,从而揭示其早期的钢琴创作风格——民族性和现代性的完美结合。
The author discusses Alberto period of objective nationalism Ginastera's piano works in Through exploring the influence of Argentine music on his music creating and the usage of modern composing techniques in his works,the author tries to show the perfect combination of the style of piano music and modernity.
出处
《音乐探索》
2007年第3期43-45,共3页
Explorations in Music