摘要
《G大调第四钢琴协奏曲》是贝多芬成熟时期的一部重要作品,它形象生动、规模宏伟、构思完美、风格清新,完全可以和他的交响乐媲美。本文从钢琴演奏的角度,对演奏中应当注意和可能出现的问题探讨,试图找到表现这部作品的真谛,以便在演奏中能够细致地处理和准确的表现,更好的诠释这部作品。
The piano concerto in G major No. 4, is an important work in Beethoven's prime. It can be comparable to his symphonies with its vivid image, magnificent scope, perfect conception and pure style. From the aspect of piano performance,the author takes note of some problems in the performance,tHing to find the true essence of this concerto, with the view to make better annotation of this work and play it exquisitely.
出处
《音乐探索》
2007年第3期58-61,共4页
Explorations in Music