历史进程中的传统作曲技法的衍生(上)——关于赵晓生《传统作曲技法》的研究

Derivation of Traditional Composition Techniques in the Course of History(Ⅰ)-research of Traditional Composition Techniques by Zhao Xiaosheng

本文通过参照近期西方作曲理论著作研究所呈现的著述特点,对赵晓生先生的《传统作曲技法》这部著作进行了学习和研究。在这部著中,力图通过中、外作曲家不同风格或类型的作品范例和理论性图表,来归纳和阐示西方从巴洛克时期至20世纪所形成的作曲技术的"共性",可以说它是一部体系独特,既有理论、又可实践的综合性作曲理论及作曲教学研究的成果。笔者力求对赵先生的学术理念做以全方位的定位和概括,并对这部著作所体现的学术价值做出较为客观的评介。

On the basis of the research of the new characters of the Western composition techniques, the authors studied Mr. Zhao Xiaosheng＇s book Traditional Composition Techniques, in which Zhao tried to summarize and analyze various composition techniques with general characters during the period from Baroque to the 20th century through music works and theoretic charts in different styles and types by Chinese and foreign composers. The authors believe that this book is a new research result of composition theory and composition teaching, with a special system and the theory combined well with the practice. They try to define and summarize this book and to evaluate its academic value more objectively.