浅析明末清初小说戏曲中的“女扮男装”形象

Figures of "Woman Disguised as Man" in Novels and Dramas in Late Ming Dynasty and Early Qing Dynasty

明末清初,随着新的经济因素的出现及思想界的变革,作家的目光也开始转向了一向被压抑、被漠视的女性身上,写她们的爱情婚姻追求,写她们文韬武略的才干,写她们的自主意识。但是,这些女性,作家却让她们以"女扮男装"的面目出现,这不仅写出了女性要实现自己的理想,实现自己的才干,必须要从外形上改变自己,付出巨大的生理心理代价,也从另一侧面揭示了作家的创作心理。

In late Ming Dynasty and early Qing Dynasty, with the development of economy and reforms in the ideological circle, some writers turned to the female who had been repressed and ignored. They wrote about their love, talent, ability and self- independence. These female appeared in the works as figures of ＂woman disguised as man＂. It showed that the female had to suffer from great pains both physically and psychologically in order to realize their dreams and exert their abilities. It also revealed the authors＇psychological state when composing the works.