商洛花鼓戏的生存现状与保护初探

A Study on the Living Situation of Shangluo Huagu Opera and the Protection of It

建国以前,商洛花鼓戏传统戏种在商洛民间的活动非常活跃。建国以后,随着"戏曲地方化"向"戏曲都市化"的转变,商洛花鼓戏的传统和生存状况都发生了巨大变化。民间戏剧活动进一步减弱,剧团国家化虽然促进了花鼓戏的发展并积累了新的艺术传统,但由于花鼓戏民间观众群的萎缩,导致此种艺术生存空间不断缩小,陷入停滞不前的状况。与建国以前的生存状况相比较,商洛花鼓戏传统剧目及运用、表演形式、表演场所与动机、艺术形态变化已经发生显著变化,因此,保护花鼓戏传统、重建花鼓戏生存空间、有效发挥剧团的作用应当成为保护工作的重要内容。

Before liberation, Shangluo Huagu Opera was very popular in Shangluo. After liberation, with ＂opera localization＂ shifted to ＂opera urbanization＂, great changes took place in tradition and living situation. Folk opera became weaker, state troupe, though pushed the development of Huagu Opera and accumulated new arts, made this opera＇s living space smaller and smaller due to the shrinkage of audience. Compared with what happened before liberation, evident changes took place in traditional list of plays,in ways,places, motivations of performance.Therefore protection of the tradition of the Huagu Opera, rebuilding the living space of it, and the effective play of the troupe＇s role should be included in the work of protection.