论《三峡好人》对电影艺术现实主义的传承

Succession of Still Life to the Cinematic Realism

世界电影史上经历了多次现实主义的思潮,产生了诸多优秀的现实主义作品。从艺术创作应该以创造的主体性去超越现实的客观性这一观点出发,首先以经典的现实主义作品为例,对电影艺术的"现实主义"传统做了廓清和论证,分析了艺术创作与社会现实的关系,并指出现实主义的特征,接着对影片《三峡好人》的现实主义特色做了具体的阐释和解读,最后对《三峡好人》中出现的"超现实主义"影像进行了揭示和剖析,指出其超现实主义的镜头是影片现实主义表达方式的延续,从而对《三峡好人》做出宏观的评价和微观的解析。

The world film history had experienced several realistic trends, and each trend had produced a lot of excellent realistic works. This paper embarked from a viewpoint what the artistic creation should surmount the objective reality. Firstly, taking the classic realistic works as example, it expounded and cleaned up the realistic tradition with the limits, analyzed the relationship between artistic creation and real life, and pointed out the style and characteristic of realism. Then, the paper explained the realistic characteristics of the film Still Life. Finally, it analyzed the surrealistic images in the film and referred that these pictures were one expressive way and stretch of realism, and thus it made the macroscopic evaluation and the microscopic analysis on Still Life.