摘要
张若虚《春江花月夜》一诗的后半部分历来解释不一,给全诗的理解带来困难,且有伤意境之美。文章从抒情主人公的统一性入手,认为《春江花月夜》一诗只有一个抒情主人公,并由此重新寻绎了此诗的意脉,最后从训诂角度作了补充说明。
Many literary critics have consistently held various opinions and interpretations of the later part of A Night of Flowers and Moonlight by the Spring. River by Zhang Ruo - xu which caused difficulty to understand the whole poem and damaged the aesthetic perception of the artistic conception. This thesis believes there is only one lyric protagonist in the whole poem, and analyses the thread of aesthetic perception in a new way, at last this thesis has some additional remarks from the critical interpretation of ancient texts.
出处
《武汉工程大学学报》
CAS
2007年第5期57-59,共3页
Journal of Wuhan Institute of Technology
关键词
春江花月夜
抒情主人公
意脉
“度”与“潭”的训释
a night of flowers and moonlight by the spring river ;lyric protagonist
aesthetic perception
interpretations of "du"(度) and "tan"(潭)