摘要
百年中国新诗诗体建设中的许多问题,都可以从中国新诗发生之中寻找到深层的答案。新诗的发生,把旧诗推向对立面,造成百年旧体诗创作始终没有得到公正评价,造成百年诗体建设的偏狭;发生期新诗在体式上的特征就是"自由",造成百年自由诗体的强势地位,制约着其他诗体的发展,始终没有形成定型或准定型诗体;新诗发生期对外在格律形式的轻率否定,成为一种定势思维,制约着新诗格律的探索,百年中国走过了一条新诗自由化把律化推向边缘的诗体建构道路。
The key to the problems in Chinese a hundred-year poetic style of modern poetry construction can be found in the emerging process of Chinese modern poetry. The emergence has offered opposition to archaic poetry, resulting in unfair judgment of archaic poetry composition and biased construction of modern poetry. Due to the "free" characteristic of modern poetry in the emerging period, the free poetic style has maintained a hundred year dominance, preventing the development of other poetic styles. As a result, no fixed or quasi-fixed poetic style has been set up. Furthermore, the neglect of metrical form of poetry is also a hindrance to the exploration of modern poetry meter. The modern poetry construction over the one hundred years has experienced the liberalization of poetic style and marginalization of metrical form.
出处
《西南大学学报(社会科学版)》
CSSCI
北大核心
2007年第5期18-24,共7页
Journal of Southwest University(Social Sciences Edition)
关键词
新诗
诗体
格律
modern poetry
poetic style
meter