云南少数民族题材影片的叙事模式

The Narrative Models of the Films on Yunnan Minority Nationalities

云南以独特的自然景观、民族风情和历史文化成为文学艺术创作的乐土。新中国成立后,拍摄了多部以云南少数民族题材的影片,以政治性叙事、历史性叙事、情爱叙事、歌舞叙事为主要叙事模式,以期反映现实,形式与内容关联性强。近年来拍摄的有关云南少数民族题材的影片,则更注重对其生存状态和心理的表现和叙述。

Thanks to its unique geography, ethnic customs and histories and cultures, Yunnan has become a valuable inspiration for artistic and literary creation. Since the founding of the People＇s Republic of China, Yunnan has shot some films on Yunnan Minority nationalities with the political narrative, historical narrative, love-story narrative and si, nging-dancing narrative as the main models that have a close correlation between form and content and focus on reality. In recent years, such films pay more attention to the living conditions and psychology of Yunnan minority nationalities.