论东北民俗文化的喜剧精神

The Comic Spirit of the Northeast Folklore

在我国诸多区域性"文化圈"中,东北民俗文化以其主导的喜剧精神而著称。文章对关东民俗文化中所蕴含的乐观、粗犷的精神内核予以了自然地理生态、历史人文传统和区域群体性格等多方面的成因探索,并对最充分显现这种民俗文化精神的民间艺术、亚艺术形式——"二人转"、喜剧小品和东北大秧歌做了理性的分析与诠释。同时又根据马克思主义的喜剧观对东北民俗文化的性质作了理论的界定与阐析。

Among various regional ＂cultural circles＂ in China, the Northeast folkloric culture is famous for its comic spirit. The thesis interprets the factors leading to this optimistic and straightforward spirit in the Northeast folkloric culture from the perspectives of natural geography, historical and human tradition as well as regional character, etc. In particular, the thesis focuses on the rational analysis and interpretation of the sub-art forms --errenzhuan, short comedies and the Northeast yangge, which can be regarded as the emhodiment of the Northeast folkloric culture. Finally, in accordance with the Marxist view of comedy, the thesis gives a theoretical definition to the essence of the Northeast folkloric culture.