摘要
"工夫的乐论"是徐复观从儒家心性论的立场对中国古代音乐的一种理论建构。这种理论的功能价值是开启人格修养;其道德形上实体即内在价值根源为人之"性";而其最高的存在形式为"无声之乐",即一种道德与艺术合一的人格存在。
The Music theory of Gongfu is a kind of theory construction to the ancient music of China in the View of Confucianism by XU Fuguan. The function of this theory is for the personality cultivation, and its metaphysics of moral, namely source of value is human beings＇ Xing. Its highest existence is the music without voice, which is a kind of personality existence that moral and art mix together.
出处
《武汉大学学报（人文科学版）》
CSSCI
北大核心
2007年第5期588-593,共6页
Wuhan University Journal (Humanity Sciences)
基金
湖南省"中国古代文学与社会文化研究基地"(湘教通[2004]284号)
关键词
徐复观
工夫
儒学
乐论
XU Fuguan
Gongfu
Confucianism
music theory
