论莫愁女形象的重叠构成

An Essay on Different Versions of the Symbol of Mo Chou Maiden

作为中国文化史上的典型形象,莫愁女为数代文人为之倾倒;伴随着时代及社会文化的变化,莫愁女形象也变得扑朔迷离。正本清源,分析这一形象在各个时代的变化是本文的主要任务,特别是梁武帝之《河中之水歌》及周美成之《西河》当须辨正。

As a typical symbol in the long Chinese cultural history,Mo Chou maiden impressed many artists. With the developing of society and euhure, the symbol of Mo Chou maiden has been becoming confusion. This paper has made a thorough clarification after analysis her symbols in different times, especially Song of Water in the River by Emperor Liang and West River by Zhou Meieheng.