消费经济下民间文艺保护的“无土栽培”

"Empty Root Phenomena" of Folk Art Protection in Consumption Economy

民间文艺常常与一定的民俗相联系,是特定的生活方式中的有机组成部分,不但具有审美娱乐价值,而且具有实用功能。20世纪以来,中国社会发生了急剧的变革,民俗和民间文艺赖以生存的土壤消失,然而,20世纪80年代以来,原生态民俗、民间文艺在走向濒危境地的同时,其中一部分却因与消费文化、旅游经济的联姻而暂时出现了欣欣向荣的面貌,只是这种联姻也使得许多原生态的民俗、民间文艺渐渐失去了其原有意义,变为一种商业表演形式。

Folk arts, as an organic part of a certain lifestyle, are often related to customs. They have not only the aesthetic function but the practical function. However, ever since the 20th century, with the rapid change of China, The field for most folk customs and arts has come to disappearance. Nevertheless, since 1980s, some kinds of folk arts, due to their connection with consumer culture and tourism, have drawn more and more attention. Meanwhile, however, as a kind of source to allure tourists, they gradually lost their original characteristics.